When you search “New Music” on Google, the results are overwhelming. New hip-hop, pop, Latin, new wave, classical and other genres are listed for what seems to be an infinite number of pages. But while none of these genres are new music, they aren’t entirely wrong either, as the new music genre cannot be confined or compared to any other music type. New music is classical, in that many composers write for violin, piano or flute, but it is also pop in that it uses electronic sounds and riffs; even still, it is also opera, rock, hip-hop and other music types.
posted: May 16
The Bellerose, Glen Oaks and Floral Park neighborhoods in Queens were among the very last parts of the borough to be developed, starting right after the end of world War II.
The last virgin lots of farmland were sacrificed for the exploding population of men coming home from the service wanting to get married and start a family. In 1948 a shopping center had to be built to accommodate the needs of the new homeowners. On Union Turnpike between 247th and 248th streets, rows of stores were built on both the north and south sides of the roadway.
“Gravity of the Sculpture: Part II” will remain on display at The Dorsky Gallery, 11-03 45 Ave., Long Island City, through July 3. Call (718) 937-6317, email david@dorsky.org or visit dorsky.org.
It is considered something of a cinematic clichÈ: the wide-eyed child stepping under the big top for the first time, walking out hours later to swear to anyone who’ll listen that he or she will join the circus.
The story rarely plays out. Inevitably, the kid comes to his or her senses and picks up a seemingly sensible career, like accounting or lawyer. Yawn.
“You end up making a lot of words in the world of neon,” Krypton Neon Studio co-founder and artist Kenny Greenberg said as he sifted through a pile of discarded words in his Long Island City shop. Twisted white tubes that turn a spectrum of bright colors when plugged in lay on the concrete ground — “smile,” “come,” “the,” “a” and “extraordinary.”
The words come from broken signs and Broadway play displays. The “a” came from a neon piece for the traveling performance of “The Producers.” During the show’s travels they broke the “a” several times, and Krypton would have to ship a replacement to wherever they were. After several last minute Fed-Exes they decided to make a backup just in case.
It’s about people — where they live and what they stand for, or what they could stand for or appear to stand for.
“Strength of Character,” a group photography show, is one of the many exhibitions open for viewing from May 15 through 19 as part of the LIC Arts Open, a week in which most of Long Island City’s art studios, stores, galleries and performance spaces open their doors to show off — not in a braggy way but in a “you might have not known our neighborhood had such a high concentration of artsy talent” way.
On Sept. 15, 1922, Joseph Sendek, a Hungarian immigrant and professional wood carver, bought a 20-by-30-foot house at Queens Boulevard and 55th Avenue with his wife Mary, for $4,000. The lot was 52 feet wide and almost 170 feet deep.
The 1940 Census had six of their children living there: Mary, Victor, Edward, Ernest, Richard and Eleanor. The boys’ occupation was listed as “butcher.”
“Gravity of the Sculpture: Part II” will remain on display at The Dorsky Gallery, 11-03 45 Ave., Long Island City, through July 3. Call (718) 937-6317, email david@dorsky.org or visit dorsky.org.
One day, while biking to work, Jessica Findley noticed her jacket flapping in the wind. She was working on a project with inflatables at New York University at the time and conceived the idea of a group of bikers wearing inflatable costumes. She mentioned her idea to a friend, but soon forgot all about it.
Following the September 11th attacks when Findley was “not in a good place,” her friend called and encouraged her to pursue the idea.
Willy Russell's musical “Blood Brothers,” which enjoyed healthy runs both in London’s West End and on Broadway, is being staged anew by the Astoria Performing Arts Center through May 18. A tragic tale of how class can dictate one’s direction in life, the show is perhaps more relevant today than ever.
Recently during a rehearsal break, director Tom Wojtunik likened some of the events in the show to today’s world.
If you were born and raised in Ridgewood and you still remember your first small-screen box television set, chances are good it came from Ulan’s on Myrtle Avenue.
Ulan’s was a fixture in Ridgewood for four decades. It was located at 55-01 Myrtle, on the corner of Saint Nicholas Avenue, in what had been Roxy Clothing Store.
“Gravity of the Sculpture: Part II” will open on Sunday, May 5 with a reception from 2-5 p.m. and remain on display at The Dorsky Gallery, 11-03 45 Ave., Long Island City, from Sunday, May 5 through July 3. Call (718) 937-6317, email david@dorsky.org or visit dorsky.org.
From 1975 to 1979 the Khmer Rouge ruled Cambodia.
Its leader, Pol Pot, envisioned a preindustrial society centered around small rural villages. He vacated the cities and forced everyone to move to the countryside where they were born. Artists, intellectuals, urbanites and anyone with even a hint of opposition were the first of the two million people out of a country with a population of eight million executed.
Set in the court of the legendary King Arthur, the now-classic musical "Camelot" began its original Broadway run late in 1960, becoming forever linked to the presidency of John Kennedy, whose tenure is often referred to as the Camelot era.
The show is being presented in concert form by Beari Productions in Bayside through May 5.
Theatre Time Productions presents “Once More with Feeling,” a musical cabaret, at the Colonial Church of Bayside, 54-02 217 St., on Friday, April 26 and Saturday, April 27 at 8 p.m. and Sunday, April 28 at 3 p.m. Call (347) 358-8102. $18/$16 seniors and students.
Don’t go to this show looking for works that just please the eye. Some are pretty or entertaining, yes, but all have a complex theory or analyze a social issue that goes beyond the aesthetics. Grab the curator’s essay and study the plaques.
‘Better Homes’ calls up images of women in pearls with their fine china as seen on the glossy pages of the iconic magazine Better Homes and Gardens. The SculptureCenter’s current exhibit by the similar name plays with this idea.
As late as 1937 the region of Union Turnpike from about 168th Street all the way east to 232th Street contained nothing except the Hillcrest Golf Course Hillcrest Riding Academy and The Hillside Park Riding Academy.
Suddenly all at once, starting in 1937, the neighborhood was developed by various builders such as Chevy Chase Homes at Union Turnpike and 188th Street, Paul Roth’s Holliswood Homes at Union and 188th, and the biggest player of all: Gross-Morton Homes, which practically covered the whole area from about 170th to 190th streets.
Queensborough Community College has soul.
The Spinners, who started their reign on the Top 40 charts in the ’50s, will perform hits like “Cupid,” “I'll Be Around,” “Could It Be I’m Falling in Love?” and “Games People Play” at a May 5 show at Queensborough Performing Arts Center.
When ordering a plate of seafood paella, you might imagine traditional images of Spain, like flamenco dancers and plucking guitarists, not necessarily the whitewashed houses and ancient ruins of the Greek isles.
But some Greek chefs in Astoria are ushering in a new wave of Greek fusion cuisine, combining traditional dishes with other ethnic influences or modern flourishes.
An audition and open cast call for “Les MisÈrables,” will be held on Thursday, April 18, Friday, April 19 and Saturday, April 20 at American Martyrs Sullivan Hall, Bell Blvd. and Union Turnpike, Bayside from 7 to 9:30 p.m. Bring a head shot and resume (this is a requirement). Sheet music for your audition: 16 bars ballad, 16 bars up tempo. Your calendar for May, June, July and August. Comfortable clothing for a group dance audition. Parts available for 11 years old and up. Children under 18 must be accompanied by an adult. No one seen without the above requirements.
In 1928 the community of Laurelton Homes was one of the most beautiful and affluent communities in Queens. It was built by the Gross Morton Organization, which constructed upscale homes for an upper working class.
Gross Morton broke all records by selling 570 homes in less than three months in 1928. More than 10 percent of the one-family homes built in all of New York State that year were sold by Laurelton Homes.
Replace the sound of blaring car horns and the clackity-clack of passing trains with the calls of the woodcock and whistling of a springtime breeze through shorefront trees. Above, twinkling stars provide a more natural glow than the fluorescent illuminations in office building windows. Rising in the east — a big ball of light.
That isn’t a lamppost, a traffic light, or even the spotlight from an NYPD helicopter. Nope, that’s the moon.
Author Stephen Maitland-Lewis hopes his novel “Emeralds Never Fade” will put another personal face to the history of the Holocaust so that these “horrors are never repeated.”
His book, which he will be reading from at Queens College on April 21, chronicles the fictional lives of two boys living in Germany in the late ’20s. Leo Bergner is Jewish and Bruno Franzmann is not.
The Music Man is coming to Queens.
Grammy-nominated singer and pianist Michael Feinstein will be performing at the Kupferberg Center for the Arts at Queens College on May 4. Feinstein serves as the artistic director for The Center for the Performing Arts in Carmel, Ind., but more notably is known for being an archivist and performer of the Great American Songbook, a compilation of the iconic songs of the 20th century, from “Over the Rainbow” to “Singin’ in the Rain.” One of his five Grammy nominations comes from his covers of Frank Sinatra’s works.
Over the past few weeks, the Queens Chronicle has written an editorial, blog post and three articles about the Queens Tribune running “adult s…
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